Arts bring healing after tragedy in 'Midsummer in Newtown'

FILE PHOTO: A sign is posted on an electricity pole outside a house near Sandy Hook Elementary School, nearly two weeks after a gunman shot dead 20 students and six adults, in Newtown, Connecticut December 27, 2012.  REUTERS/Adrees Latif/File Photo
FILE PHOTO: A sign is posted on an electricity pole outside a house near Sandy Hook Elementary School, nearly two weeks after a gunman shot dead 20 students and six adults, in Newtown, Connecticut December 27, 2012.

REUTERS/Adrees Latif/File Photo


By Patricia Reaney
| NEW YORK

A new documentary shows how a children’s play helped the people of Newtown, Connecticut, find solace and a sense of community after a disturbed gunman slaughtered 20 first graders and six educators in their town four years ago.

“Midsummer in Newtown,” which opens in U.S. theaters on Friday, follows the young actors from their first auditions to opening night as Michael Unger, a New York-based freelance theater director, and his team ushered them through a pop/rock adaptation of William Shakespeare’s “A Midsummer’s Night Dream.”

“It was a way of using art to try to find meaning in places where these children were a little shell-shocked,” said the film’s director, Lloyd Kramer. “It bonded them through the play.”

Many of the children in the play had been in the school during the shooting.

“He (Unger) thought the play would be an opportunity for them to do something that was the antidote to the worse that happened up there,” Kramer said.

Through the play the children regain their confidence, blossom in their roles and share a sense of fun and hope.

The film focuses on two students, Tain Gregory and Sammy Vertucci, and parents Jimmy Greene and Nelba Marquez-Greene, whose daughter Ana was murdered in the shooting. Gregory lost one of his best friends and Vertucci also knew someone who was killed.

Although the shooting is an underlying current in the documentary, which was filmed more than a year after the tragedy, Kramer does not concentrate on the event.

“It is there because you need to have context and what makes people even more inclined to cheer on these kids is that they faced this horror,” he said.

“We were very careful to put that in balance with the main story, which is what they are doing about it.”

Greene, a jazz saxophonist who performs in the film, found comfort in his music and the Grammy-nominated album “Beautiful Life” that he recorded in honor of his daughter’s life.

For Kramer, Greene’s comments in the film sum it up most succinctly.

“You can’t choose what happens to you in this life,” Greene said, “but you can choose how to respond to it.”

(Editing by Daniel Wallis and Bill Trott)

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